Arts & Culture

Does Othello epitomise the tragic hero?

“However, it is clear that Othello really must be the epitome of the tragic hero through his death at the end of the play, generating anagnorisis and reinforcing the noble nature the hero’s status, all defining features of Aristotle’s conventions. As a result of murdering Desdemona, the revealed truth consolidates the emotions of both Othello and the audience, with his character left a state of anguish.” (Read More)

'Clown' / CC
Theatre

London Clown Festival – no nose is good nose

But just as there are more and more new clowns creeping into the arena so it becomes apparent that they need a somewhere to meet and exchange ideas, a common ground, and I’m not talking about the annual Bognor Clown Convention, bless it, these are the new clowns, clowns without faces. So Henry and Dan decided to give all these clowns a space to come together by holding a festival. Brilliant. In London. Excellent! In a tent by a car park in Manor House! Weird! And then onto Edinburgh for the fringe…. wonderful! (Read More)

Theatre

Review | Kraken

A mime talks! Owie! This was a scandalously good show and mime is definitely the new rock n roll, move over clown, this man is leading a silent revolution. I defy anyone to see this and not be converted. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

Fall @ Greenside@ Infirmary Street

Edinburgh Fringe Festival is never short of Shakespeare adaptations however finding one as captivating and inventive as Fall is rare. Written by Katie Dunstan and Alex Doble, and directed by Jamie Woods, Entita Theatre present a physical theatre production closely based on Macbeth that makes you forget it is based on Shakespeare at all which is highly impressive, especially given how young the cast are. (Read More)

'Theatre', Jeffrey Smith / CC
Edinburgh Festival

Review: The James Plays

The stories that a nation tells to itself begin with gods and kings and heroes. As James I says, ‘I am Scotland’. And if we live in a time of no gods and precious few heroes, perhaps that’s exactly the time to start finding out where we came from. Hence the need for, and grand occasion of, the James Plays. (Read More)

Theatre

Review: Dylan Moran ‘Off The Hook’

Dylan Moran brings his unique brand of optimistic pessimism to Glasgow’s Clyde auditorium for a night of serious laughter, and an impressive array of artwork, with Off The Hook. Everyone’s favourite hater of things returns to rail against politics, technology, golf, religion and the current trend of British Bake Off and Strictly Come Dancing TV programmes. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

Cut @ Underbelly, George Square

Site specific show Cut brings something a little bit different to Edinburgh Fringe this year, taken into an airplane style set-up the air hostess gives instructions and provides a safe-word for those who may need to leave creating a foreboding atmosphere before plunging the room into absolute darkness. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

Review: Clown Macbeth @ C

While it is not difficult to find an incarnation of a Shakespeare classic at Edinburgh Fringe Festival, it is often difficult to find a new way of performing it. Using mime, dance, music, and sound, Clown Macbeth by Ryukyu Cirque have certainly achieved this. (Read More)

Arts & Culture

Limbo @ Underbelly Circus Hub

The circus comes to town in spectacular fashion with Limbo at the new Underbelly Circus Hub. Bringing danger and darkness to the Fringe Limbo serves up a wide selection of acts including live music, dance acts, fire eating, sword swallowing, and contortion. (Read More)

Theatre

Review: Waiting for Godot

So, that was the effect of seeing Waiting for Godot at the Lyceum in Edinburgh. Life became Beckettized. Works of genius will do that. They reach out beyond their medium. (I picked up Naked Lunch for the first time in years, only to be accosted on the bus the same day by a total stranger, who it turned out had been a dealer: ‘What’s it about? Drugs? Oh-ho…let me tell you about drugs, man.’ And he did.) (Read More)

'Theatre', Jeffrey Smith / CC
Edinburgh Festival

The Glenn Miller Story @ The Kings Theatre Glasgow

Directed by Bob Tomson and Bill Kenwright The Glenn Miller Story swings into Glasgow bringing back an era that is often much forgotten. The legendary british entertainer Tommy Steele brings his uniqueness to the role of composer, arranger, musician, and band-leader Glenn Miller, aiding a wonderfully old-fashioned stye of entertainment. (Read More)

Moyan Brenn, Edinburgh Festival / CC
Arts & Culture

The Cherry Orchard: Beyond the Truth @ C Nova

Directed by Park YeonJoo The Cherry Orchard: Beyond the truth is based on the Chekhov classic though this performance focuses on three of the original list of characters. This physical theatre performance is highly inventive, conveying a lot within the intense physicality in a much more interesting way that dialogue ever could. The dialogue that is used flits between english and korean however it is not necessary to understand both languages to understand the piece. This bilingual aspect brings an added cultural flavour which is important for international companies to retain. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

The Jennifer Tremblay Trilogy: The Deliverance @ Assembly Roxy

Stellar Quines Theatre Company present The Jennifer Tremblay Trilogy as part of Edinburgh Fringe Festival. Each show can be viewed as stand alone pieces but they are interlinked to create a powerful trilogy. Written by Jennifer Tremblay, translated by Stellar Quines, and performed by Maureen Beattie The Deliverance follows the woman trying to fulfill her mothers dying wish of seeing her son one last time. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

Perceptual Landscape @ Greenside@Nicolson Square

Comuna De Pedra present a physical theatre piece that explores the meaning of reality and illusion. Inspired by children with autism, Perceptual Landscapes uses light and sound to great effect creating a rich sensory experience and pushing the boundaries on how light and sound can be used within a performance. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

Fiction @ Pleasance Dome

Fiction is a brilliantly unique theatre experience. After a disjointed start of seemingly random scenes on the screen the audience, each wearing their headphones, are plunged into absolute darkness and stay that way for the duration. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

The Jennifer Tremblay Trilogy: The Carousel @ Assembly Roxy

Stellar Quines Theatre Company present The Jennifer Tremblay Trilogy as part of Edinburgh Fringe Festival. Each show can be viewed as stand alone pieces but they are interlinked to create a powerful trilogy. Written by Jennifer Tremblay, translated by Stellar Quines, and performed by Maureen Beattie the second installment of the trilogy, The Carousel, follows a woman as she travels across the Canadian landscape to her dying mother’s bedside and through a series of memories as she attempts to better understand her family and herself. (Read More)

'Theatre', Jeffrey Smith / CC
Arts & Culture

The Jennifer Tremblay Trilogy: The List @ Assembly Roxy

Stella Quines Theatre Company present The Jennifer Tremblay Trilogy as part of Edinburgh Fringe Festival. Each show can be viewed as stand alone pieces but they are interlinked to create a powerful trilogy. Written by Jennifer Tremblay, translated by Stellar Quines, and performed by Maureen Beattie The List examines themes of family, loss, and regret. (Read More)

Moyan Brenn, Edinburgh Festival / CC
Arts & Culture

The Girl Who Fell in Love with the Moon @ Pleasance Dome

The Girl Who Fell in Love with the Moon is physical theatre with a lot of heart using live music, dance, movement, and a little bit of puppetry. Stranded at night in the woods a group of performers perform their show to the ‘non existent audience’. This show is comprised of shorter shows which all follow a celestial pattern written by Luna, the leader of their troop, played by artistic director Florence O’ Mahony (Read More)

Moyan Brenn, Edinburgh Festival / CC
Arts & Culture

Review: What Would Spock Do? @ Gilded Balloon

This is a show for every geek out there who has ever felt ashamed, embarrassed or isolated within their love of a fandom. Especially Star Trek. Sam Donnelly takes us through his intense love of Star Trek and the bullying he endured because of it, tales of his grandfather’s role in his obsession and his decision to suppress it, through to the love story between him and the girl who has her very own Spock Day. (Read More)

Moyan Brenn, Edinburgh Festival / CC
Arts & Culture

Review: The Lonely Poet @ Sweet Grassmarket

There are two types of experiences to be had during this performance, one is to view it as an audience member and the other is to be selected to have the entire piece performed to you as if they were the only one there. Both have their perks, and possibly their drawbacks. This is definitely unique in my experience, because it raises the question if you can really break the fourth wall if only for one audience member. Perhaps Tim Honnef has just created a hole in the wall instead. (Read More)

Moyan Brenn, Edinburgh Festival / CC
Arts & Culture

Review: Bat-Fan @ Pleasance Courtyard

If you love Batman you will love this show. Using songs, musical parodies, and some slightly glitchy graphics to accompany his Bat-lecture James Wilson Taylor has created an outlet for his enthusiasm and frustrations surrounding this popular franchise. (Read More)

'Theatre', Jeffrey Smith / CC
Theatre

Review: Fever Dream: Southside

Fever Dream: Southside is vivid, imaginative, and well staged. It is also packed with stereotypes and cliches, and does not give the broad representation of the Southside of Glasgow that is expected. Each character is an – often offensive – stereotype, from the smart asian boy to the quirky, attention seeking performance artist, with not much room for any development. The racism wrapped in humour is unnecessary and creates an obviously white, middle class production which is a shame given the setting of the piece. (Read More)

'Theatre', Jeffrey Smith / CC
Theatre

Review: Woman In Black

Still touring after 25 years The Woman In Black, adapted from the novel by Susan Hill, is a ghost story with sharp shocks and eerie shadows. The show within a show follows Arthur Kipps, the writer of a story he is desperate to tell, and an actor who helps him tell it as they rehearse in an empty theatre. (Read More)

'Theatre', Jeffrey Smith / CC
Theatre

Review: The Straw Chair

The Straw Chair is based upon the story of a true historical figure of Lady Rachel Grange and her banishment to a secluded island by her husband after their divorce. Lady Grange was ahead of her time and did not act as women were told they should in the 18th century. For this she was left upon an island that drove her half mad with it’s isolation and total contrast to the Edinburgh life she had known. (Read More)

'Theatre', Jeffrey Smith / CC
Theatre

Review: Lippy

As part of Behaviour Festival, Dead Centre bring ‘Lippy’ to Citizens Theatre. Based upon the true events of four women who seemingly starved themselves to death in County Kildare, Lippy is a confusion of elements lacking any sort of main point that would pull the performance together to create something meaningful. In trying to say so much it fails to say very much at all. (Read More)

Theatre

Review: Truth, Lies, Diana

‘Truth, Lies Diana is a ‘factional’ drama containing sensational new information about the death of Princess Diana presented in a thrilling unique theatrical format.

With meticulous forensic research, revelations from previously silent sources and access to Police witness statements and court transcripts, the nine handed performance uses the actual words spoken by a cast of characters including James Hewitt, Piers Morgan, Paul Burrell, Mohammed Al Fayed, members of MI6, witnesses to Diana’s crash, and the British Royal Family.’ (Read More)